Tag Archives: Michelle Pfeiffer’s Birthday

Guest Post: Happy Birthday Michelle!

It’s the second day of Pfeiffer Pfilm Pfest and things only get better, as I’m joined by the fabulous RB in a celebration of two favourite performances from the one and only. Another season, another reason…

Susie Makin WhoopeeMichelle Pfeiffer has created two of my most favorite screen characters of all time. Susie Diamond, the iconic lounge singer in The Fabulous Baker Boys, and Frankie the waitress in Frankie and Johnny, a criminally underrated Garry Marshall vehicle that belongs in the permanent collection of any Pfeiffer Pfan.   The two characters could not be more different yet Michelle’s interpretation and portrayals of both Susie and Frankie, ensures each one remains forever a classic figure in the film world.Sensational Susie DiamondAs represented by her last name, Susie is diamond-hard, lithe, cynical, and also, an undeniably talented singer.  From the moment she shows up to audition for the Baker Boys. a once successful, now floundering piano lounge act, Suzy acts as a catalyst of events.  She is hired and almost immediately has a profound effect on not only the success of the Baker Boys’ act, but also impacts the brothers’ relationship and sets in motion of chain of events that leads both Frank and Jeff Baker to re-examine their lives and priorities.Susie Diamond (Michelle Pfeiffer)Without a lot of backstory to explain Susie’s complex character, the viewer is easily captivated by the strength of her physical presence, how she appears to influence the unfolding of events around her, essentially unaffected for the most part. Because the basic character is about as far from original as you can get (former call girl trying for a better life), the movie rests exquisitely on the skilled direction of Steve Kloves, and iconic performances from Michelle and her co-stars, the brothers Bridges.Makin WhoopeeIn the famous scene where Susie, clad in the clinging red sheath, sits atop the piano and slowly uncoils herself across its surface, while seductively crooning “Makin Whoopee” audiences and critics alike were smitten.  Men fell in love, and I resolved to lose 10 pounds, dye my hair blonde, buy a red sheath and take up singing lessons.Frankie and JohnnyFrankie the waitress is in many ways the opposite of glamorous Susie. Frankie is a more pedestrian character, solidly working class and somewhat emotionally unavailable. Yet, Frankie is neither cold nor distant, with a keen sense of perception, humor and general compassion for those around her. Unlike the Susie character, able to disregard others with the abandon of a bird flinging water from her feathers, Frankie’s universe is defined by her work ethic and values. Even as she hides her pain and loneliness from the outside world, in every interaction she conducts herself with an innate respect for other people’s interests. This innate respect extends to Pacino’s Johnny, the man pursuing her, even as she spurns his advances. Once again, the viewer is captivated by the character – for totally different reasons.Pfeiffer as FrankieWhat is common to both characters, of course, is the ability of Michelle as an actress to make you care what happens to Susie, what happens to Frankie.  This ability to make the viewer identify so strongly with the character is what makes Michelle more than simply a beautiful actress. After all, if it were just that, the caring wouldn’t necessarily follow.Clair de LuneFrankie is ultimately a happy-ever-after film, with an ending scene that again, ranks as one of my all time favorites.  Frankie and Johnny are hanging out in the her apartment, with the morning sun lighting up the room, not exchanging words at all, but brushing their teeth.  There’s almost no way to describe this in words and have it sound appealing- on screen it works beautifully and hammers home, again without words, a conversation between two people that speaks of a future and a shared life.  After multiple viewings of that scene, Garry Marshall impresses the heck out of me each time.Peas Peas Try Our PeasSusie, on the other hand, in the final scene with Jack Baker, where the audience is deeply invested in the relationship between the two, makes it clear that these are two tough, more gritty characters, that the viewer senses, will both be OK, on some level, either with or without each other. If I had to pick a top favorite rainy weekend double feature, I’d go with The Fabulous Baker Boys followed by Frankie and Johnny.Michelles Birthday



Filed under Feature, Guest Post

One Fine, Pfabulous Day

Today, the 29th of April,  is the birthday of my favourite film related person of all time, the superlative Michelle Pfeiffer. Words, especially so late at night when I can’t think clearly, cannot express how much I adore her. I’ve fêted her time and time again, because I honestly believe that she is the greatest, most talented and formidable actress of her generation.
Melanie ParkerIn preparation for the Pfilm Pfest I happened to rewatch One Fine Day this past weekend. Truth be told, I’ve probably rewatched it one time more than I needed to, but some films rise far above just picture and sound and One Fine Day is one of them. It has something intangible. A magic that permeates through it, with dialogue that’s sharp, witty, perfectly delivered and written for people who are over the age of consent, and not afraid to admit it.
Turn the World OffBack in 1996 many people dismissed One Fine Day as a pale imitation of Sleepless in Seattle, but I’d say it has aged far better; mainly because it’s filled with the witty banter that’s been a genre mainstay since before the days of The Taming of the Shrew… a factor that Sleepless misses out on.
FormidableOne Fine Day might seem a little safe, or predictable, or old-fashioned, but watching it again, I was taken with the comic timing, as well as its loose adherence to a three-act romantic comedy structure. A comedy with a deadline, One Fine Day adroitly builds to a climax, somewhat like a thriller.
Her SmileGeorge Clooney is a living, breathing pheromone. He’s also Peter Pan looking for his Wendy, brought to life in the form of Michelle, sleep deprived, mascara smudged, clad in her son’s dinosaur t-shirt and still more beautiful than 99% of humanity. She’s a romantic comedy masterpiece, the perfect blend of charm, intelligence and beauty, with a heart-meltingly wholesome, yet sexy smile.
Michelle and Amanda PeetI do think this one of Michelle’s most enjoyable performances. Her natural subtlety and ease is masterful. The more you laugh, the more you fall in love with her and unfortunately, we haven’t really seen Pfeiffer do funny since; unless you count the dire New Year’s Eve.
Prelude to the KissMichelle and Clooney make such a delicious combination that it’s easy to overstress their contributions. But as important as these stars are, a lot of credit must go to director Michael Hoffman who completely nails what a romantic movie should be; with two actors in their prime and a vision of New York full of romance, meaning and hope.
Happy Birthday MichelleIn my limited imagination the only thing missing from One Fine Day is a cameo appearance from Meg Ryan, but it’s possible that so much brilliance in one film would have caused me to spontaneously combust. Meg and Michelle are at such opposite ends of the spectrum as actors it would have been fascinating to see them in close proximity to one and other. The quintessential leading lady and the queen of romantic comedy. Just imagine the glorious verbal exchanges the two would have shared. Enough.
Happy Birthday Michelle!


Filed under Blogathon, Retrospective